It lends the episode a tragic quality that isn’t reflected in its presentation, however one that adds a layer of depth for devoted viewers. “A High quality of Mercy” deftly performed with the fact Pike will finally get his close to-fatal dose of radiation. Dramatic license is hampered by the fact the audience typically knows where these characters (and storylines) end up. That’s to not say the episode is unhealthy, as a result of it’s another confidently told, if lightweight, tale in a series that knows it works in that register. The difficulty with that ending, and the way hopefully it’s portrayed, is that lengthy-time Star Trek viewers realize it doesn’t occur. It helps that Star Trek wears the tropes of courtroom drama so well, since they’re each susceptible to a melodramatic exploration of The large Issues(™). Any hearts and minds that can be modified in this process can be a minority given that – from this point in Trek historical past – things won’t change.
It’s a hopeful ending, https://nadef.org/biomedical-student-receives-3rd-nadef-liebherr-excellence-scholarship-award/#comment-172945 and one that means Number One’s story will kickstart a strategy of change and development that may eventually see these prejudices and legal blocks go away. And there’s a minimum of one actually humorous comedy second where we, once again, see how much more enjoyable Spock is when he’s played as a goofball. Not less than a century later, folks with genetic modifications stay – in Trek’s narrative – unable to serve in its premier navy, scientific and exploratory branch. Prequels, particularly for well-identified properties, are straightjackets which limit their very own storytelling potentialities. Maybe what I’m describing as a limit of its storytelling is de facto a wise commentary on how arduous it is to bend the arc of history towards justice. What follows is the same old courtroom drama, specializing in what prompted Primary to sign up to an organization that hates her.